Welcome back! Winter Quarter events

Hope you enjoyed your break! We have a great lineup of SPJ events planned for the coming quarter:

  • Wednesday, Jan. 10, 5-7 p.m.: Our next general meeting. Everyone is welcome! Our location will be announced soon.
  • Wednesday, Jan. 17, 5-7 p.m., Daley 1260: Resume and headshot workshop. Get advice on how to make yourself a great job candidate. We will have a photographer taking professional headshots. Prepare for job and internship season!
  • Saturday, Jan. 20, 10 a.m.-12 p.m.: School newspaper training for 8th-grade students at St. Juliana in Chicago. We’ll give aspiring journalists tips on how to find story ideas, conduct interviews and more. SPJ will provide transportation to the school, and lunch will be served afterward. If you’re interested, please contact SPJ President Ally Pruitt at allypruitt87@gmail.com.
  • Wednesday, Jan. 24, 5:30-7:30 p.m.: Monthly Public Newsroom: We’re teaming up with DePaul’s 14 East magazine to encourage Chicago residents to talk about important issues and learn more about how journalists will do their work. The first one will be in late January. Stay tuned for details!
  • Newsroom tours: Details coming soon
  • Friday, April 6, and Saturday, April 7: Save the dates for the SPJ Region 5 conference in Chicago. DePaul’s journalism program will be hosting the April 7 events. Sign up at the conference website to get email updates.

Questions? Interested in learning more? Find out what SPJ does and how to join. You can always contact Ally or Amy Merrick, our faculty adviser, at amerric1@depaul.edu.

Check out the minutes from our board meetings and general meetings here. We accept applications for board memberships each spring.

We look forward to seeing you soon!

EIJ 2016: Everything you know about multimedia storytelling is wrong


By Danielle Church

Reporters are not just writers anymore. They are photographers, videographers, graphic designers, etc. In this generation, they have to be everything…or so they thought. According to University of California Berkley professor Richard Koci Hernandez, reporters really don’t have to do it all. In fact, we all really need to let go of that burden.

Here are some of Hernandez’s best tips on why journalists truly don’t have to do it all:

The best story ideas are the most passionate ones

It may sound a little crazy at first, but the best reporting doesn’t come from someone who tries to do everything. It all starts with someone who has a great story idea.

It doesn’t matter that technology and social media are the way people read stories, because if the story itself isn’t good, people won’t share or read it anyway. People who are passionate about certain topics are going to be very knowledgeable about them. They’re the ones that have gone out of their way to do loads of research or will eventually.

Therefore, it only makes sense that the best journalism would, as Hernandez says, come from someone who is extremely passionate about what they are doing. When you focus on a story idea that you know so much about, it’ll encourage you to think of more creative ways to share it with the world, such as through videos, interactive maps, etc. It also means that there is no room for someone in journalism who isn’t passionate about what they’re doing because their story ideas simply won’t measure up to the ones that are.

You’re not broken, the business model is broken

Journalism is not about working for the so-called “best” media company and it doesn’t mean you aren’t successful just because you haven’t gotten there. The foundation of any multimedia, or any part of journalism for that matter, is writing.

Don’t think about what the story will look like six months from now because it will probably change by then. Focus on what the story looks like now and put everything you have into it. As Hernandez says, the web is a creative platform and not just a single canvas.

That means you can do anything with it and it’s up to the reporter decide which platforms or materials they should use to help their audiences dive deep into the story.

Don’t worry about people who don’t matter

It’s impossible for reporters to reach everyone. Therefore, they shouldn’t be trying so hard to reach people that won’t pay any attention to the story.

The best way to spread a story is to know who to target. When reporters focus on who their story needs to reach specifically, it will do so much better because those people will be affected by it. If a reporter is able to inform a few instead of many, that’s fine because the point is that it reached the people that it matters the most to.




EIJ 2016: Covering mass shootings, wrongful convictions and making a murderer

By Ally Pruitt

How often do we hear reporters say things like “31 shot, 10 murdered”? or “The shooter is still on the loose and police are on the hunt?” Unfortunately, murder, mass shootings and convictions, whether wrongful or purposeful, are prevalent in today’s news.

The Excellence in Journalism Conference, held in New Orleans, acknowledged these issues and held three sessions on these hard to cover subjects that I was lucky enough to attend.

Each session touched on a different aspect of the news and crime. The first session was “How Well Does the Media Cover Mass Murders?” The second, “How to Investigate Potentially Wrongful Convictions and Other Criminal Justice Issues?” And the third, “Making a Murderer- And Covering Him”.

Here are ten tips to keep in mind when covering tough subjects like these!

  • Try your best to keep multiple photos of the shooter out of the media. To many, the publicity is motivation to commit these horrific crimes.
  • Focus as best you can on the victims. Include their stories, display their photos, and try your best to make them the soul focus of the story.
  • Be a human. Stay sensitive to the people involved in such a horrific event. Do not park your car outside of their property in hopes for an interview. Respect the fact that they are grieving.
  • Study false convictions and highlight red flags within cases.
  • Push for independent third parties to conduct DNA testing to keep the case completely unbiased.
  • Remember that in order to be involved with the Innocence Project, the accused must be factually innocent, which means not present at the scene of the crime.
  • Expect many legal obstacles when it comes to getting a case back into court and prepare yourself for a process that may take years to complete
  • Keep your opinion on any ongoing murder trial out of any coverage you do.
  • Bring a different perspective to the case if you cannot be right there at the crime scene or in the court house.
  • Everyone is innocent until proven guilty. Do not forget to keep that within your story when you report on crime.

All of these tips were given by professional reporters who have covered big issues such as the Colorado shootings, Lafayette shootings, the Steven Avery case, and multiple wrongful convictions all over the country.

Keep these in mind whenever a big story like this comes your way in order to be a successful reporter on tough subjects!

EIJ 2016: Audio and how easy it can be


By Marc Filippino

Audio is hot. And Rivet Radio’s Charlie Meyerson says sound is just as hot now as video was a few years ago.

And there’s proof to back it up. The Pew Research Center State of the News Media 2016 found podcast listenership and downloads are up again for a third straight year. Which is why Meyerson says it’s essential to make audio a part of your news organization’s game plan. And the good news is producing is cheap and easy.

At the 2016 Excellence in Journalism Conference in New Orleans, Meyerson hosted a seminar called “Audio: It Doesn’t Have To Be Hard.” Based on some of his tips and tricks, the session’s title holds up.


You don’t need to drop hundreds of dollars on a state-of-the-art recorder. Meyerson says  something as simple as an iPhone will do if you want to get great sound quality. Yes, iPhone audio has some drawbacks. Without a microphone cover, you can run into some popped “p” sounds and some glaring, unwanted background audio. But, the audio quality is still great, and Meyerson says why not use what you already have?

“There’s a saying that the best camera is the one you have with you. Well, same goes for audio. The best microphone is the one you have with you and most of us don’t walk around with a professional microphone in our pockets.”

And the same goes for editing equipment. Sure, it would be great to have Adobe Audition or Pro Tools. But you can get a decent experience out of free software programs like Audacity. TwistedWave is also a relatively less expensive audio software option. Editing with these tools is simple and efficient, especially if you have a solid production plan going into it ahead of time, Meyerson says.


Audio editing software like Audacity is free and gets the job done.


Okay so you have your tools and you’ve recorded sound and an interview. How do you keep your listeners engaged? Meyerson laid out a few tips that will make your life easier and payoff later on.

  1. Write a script and know your questions ahead of time. That way if you fumble a word during an interview, it will be easier to edit around later. (Bonus hint: For mess ups, edit between consonants. Rivet Radio’s George Drake Jr. lays that concept out well, here.)  Plus, if you rehearse, you will feel more comfortable and your questions will sound way less rehearsed during the actual interview.
  1. Make sure you speak the way you do in real life. Sometimes hosts want to sound smarter than they are. Don’t do that. Instead, be conversational and explain concepts like you’re talking to a friend. Use contractions when you’re speaking and make sure you pronounce words they way they’re meant to be pronounced (“a” should be pronounced “uh,” “the” should be, for the most part, should be pronounced “thuh.”)
  1. Use engaging sound, especially at the beginning of your story. People need to be drawn into a piece, and the best way to do that is to use sound elements that mirror your story. That means use the sound of guns firing from a 21-gun salute at a police memorial, or using sound from a movie when talking to a famous comic book illustrator.

Concepts and order of importance

Finally, Meyerson says, make sure you don’t set limits for yourself. We don’t live in an era where we have to adhere to broadcast schedules. Segments don’t have to be a certain length. You can create a piece as long or as short as you want and not have to worry about an upcoming commercial. Just make your piece as long as it is interesting, throw it into SoundCloud or any other audio hosting site, and you’re good to go.

That being said, Meyerson believes you should sometimes edit your piece so the best stuff stands out first. 

Here’s an example:  If you’re doing a segment on Richard Nixon resigning your audience will definitely want to hear the entire resignation speech. But at the beginning of the segment, you should probably introduce your listeners to the news and play the clip of Nixon saying “I shall resign the Presidency effective at noon tomorrow. Vice President Ford will be sworn in as President at that hour in this office.”* 

That way, your listeners know the important stuff, they’re hooked, and they’ll keep listening to know more.

That’s just a taste of what Meyerson presented at EIJ 2016. A full pdf copy of his presentation can be found here.

To see more about his audio styles and tips, visit Rivet Radio’s website or Charlie’s website, Meyersonstrategy.com

Editor’s note: Marc Filippino is a former employee at Rivet Radio and co-worker of Charlie Meyerson.

*Clarification: That example is from the author, not from Meyerson’s presentation. 

Corrections: A previous version of this article described TwistedWave as a free service. It offers a free demo service and is cheaper than most other high brand audio services.